Based on the deconstructed style of garment creation, Comme des Garcons is known throughout the world. Collections from the 1980s featured intentionally unsophisticated garments characterized by roughness. Kawakubo transformed clothing construction through art with techniques such as fabric manipulation including raw seams, exposed edges, and asymmetrical cuts. This design philosophy disregarded traditional needlework, opening doors for designers toward unencumbered creativity previously thought impossible.
Oversized silhouettes stand out as one of the most notable features of Comme des Garçons clothing. With the brand’s introduction of clothes to the fashion sphere, it was merging use of disproportionate shapes and styles that diverged from traditionally accepted norms. Kawakubo’s designs were often marked by voluminous coats, dresses, and trousers that defied conventional standards of beauty and femininity. Not only did these garments cause a stir in the realm of fashion—they inspired women who donned them to reclaim their uniqueness without worrying about societal standards.
Kawakubo furthered her design concepts in collections such as Lumps and Bumps (1982), where she utilized padding and strategic fabric placement to sculpt pieces that interacted with the body’s shape. Clothing construction became an art form for comme des garcons when they started considering fabrics’ relationships with human anatomy because garments were no longer tools meant exclusively for covering the body.
Clothes: Deconstruction and Innovation
VastaaPoistaBased on the deconstructed style of garment creation, Comme des Garcons is known throughout the world. Collections from the 1980s featured intentionally unsophisticated garments characterized by roughness. Kawakubo transformed clothing construction through art with techniques such as fabric manipulation including raw seams, exposed edges, and asymmetrical cuts. This design philosophy disregarded traditional needlework, opening doors for designers toward unencumbered creativity previously thought impossible.
Oversized silhouettes stand out as one of the most notable features of Comme des Garçons clothing. With the brand’s introduction of clothes to the fashion sphere, it was merging use of disproportionate shapes and styles that diverged from traditionally accepted norms. Kawakubo’s designs were often marked by voluminous coats, dresses, and trousers that defied conventional standards of beauty and femininity. Not only did these garments cause a stir in the realm of fashion—they inspired women who donned them to reclaim their uniqueness without worrying about societal standards.
Kawakubo furthered her design concepts in collections such as Lumps and Bumps (1982), where she utilized padding and strategic fabric placement to sculpt pieces that interacted with the body’s shape. Clothing construction became an art form for comme des garcons when they started considering fabrics’ relationships with human anatomy because garments were no longer tools meant exclusively for covering the body.